The stories behind the music
Cascades
Click the plus sign to learn more about the tracks and lyrics on Cascades.
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Music & Lyrics by Everett Wren
Inspired by my spouse’s decision and defining a new career journey.
Grackels hunch over on a hot live wire
Like bottles on a bar rail, waiting to expire
They gawk at the scene below with iridescent ire
As crosswalk and the traffic flow, same as the week before
Ungrounded – bounde to sky – Ungrounded
We have the talk we need to have, & have a little cry
Of ecstasy or pure relief, we’re not sure reasons why
The load shifts, our bones are light, we raise arms to the sky
Synapses send another charge and we think we can fly
Our love sets the vector, straight to a beating heart
Round and round and round we spin, the atoms split apart
Cloaked in plumage, and landing far afield
Currents pass, electrify, a fate is unsealed
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Lyrics by Everett Wren & Music by Everett Wren & Taylor Turner
Inspired by friends who set paths for themselves after big changes in life
The building spires collapse around the iconoclast To an impressive and loud reprise
The rubble freshly in place now kindly offers him grace And he opens his weary eyes
As he is starting to gaze around the eternal maze He feels his sides & stomach … aching
A tinge of buyer’s remorse, the cart before the horse His fingers & toes shaking
All the circumstance leading to a different view Extend the radius to that something new
First he wanted to sleep but then he settled for peace And he placed a light on the bed
He’s left the demons behind & now resolves to decide How he will not be misled
A fleeting glimpse of the path heals a rift from the past He sets off in a fevered trance
What were his final remarks, tiptoeing past the hearse And slowly breaks into a dance
All the scattered ash and the shattered glass left behind Could just as easily … tempt one to be unkind
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Music & Lyrics by Everett Wren
Looking up to the sky, I find it comforting to know my life and time on earth are so small in a universe of billions of stars, some of whose light has taken billions of years to reach us.
Starlight, through a listless gait. Emptying photos through the sheen.
Wider, till we’re gone. We’re speckles in the foam.
Starlight, through an endless night. Emptying photos from all time.
Wider, till we’re gone. We’re speckles in the foam.
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Music by Everett Wren
I wrote this real-time while playing for a contra dance and dedicated it to my friends Angie & Tim. Angie gets the minor key part, as she describes herself as the more negative, while Tim gets the major key part, as they both describe himself as the more positive in the couple.
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Music & Lyrics by Everett Wren & Nathan Quiring
This is a song about a growing love between two people under the witness of the moon and stars.
I don’t mind sharing the moonbeams, would you? Intentions cast in a spotlight of pale blue
Time slips away, what did we say, Choosing the words that set in … our new perigee
I don’t know what I would do in this world without you
We tug at stars at stars above us, we two. Our outstretched arms embrace them, just a few.
Meeting their will, we take a fill Of cascades of light, and we rest in their spell
As gravity pulls our shimmering orbs We hold each other… close to our core.
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Music & Lyrics by Everett Wren
This is a story about ghosts finding their way through an earthly portal in the woods to the afterlife.
Naked bed, beneath the rafter. Coils bent, when there was laughter
Morning fog settles in, and then burns off again
Narrow stairs, lead to the heavens. Muddy paths down through the wetlands
Dewdrops line the trail, and teardrops start to fall
We are trying to find a way home. By the dawn we find our back home.
Through the door, where once passed brilliance, peers the spirit with graceful patience.
The dusk wind stars to blow, and evening sets her glow.
Forest stands, like alabaster. Were she there, I could have asked her.
The full moon waxing high, while evening stars pass by.
Cobwebs heavy in the moonlight. When he arrives, it’s just past midnight.
A cool last gasp of air, he meets her on the stair.
Cloud of chatter, above the rafter. Leaving matter, and finding laughter.
The embers fade away, as last farewells they say.
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Music by Everett Wren
I wrote this melody for my friend the day before she went in to have her wisdom teeth removed.
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Lyrics by Everett Wren & Music by Everett Wren & Taylor Turner
This song is about the wonder, beauty, and catharsis of jamming with friends, listening to the different ideas and instruments they bring, and just losing track of time.
Hazy clouds block out the night, while we try, try as we might To conjure spirits of traditional rites
And burst forward with magnificent bites.
The sap is boiling and pops to a beat, as we foil any retreat Navigating past all of the tropes
You introduce us to a new set of notes
We bond through the melodies, the lows and the highs
And though the path’s not clear, we follow it there
Smoke from charcoal is stinging our skin Spruce and maple now join in the spin
You lead a hundred or a hundred and one We find our voice and sing a new song
Pixelated sunlight arrives, it cuts like a thousand knives While the coffee has grown cold,
we know the story is just being told
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Music & Lyrics by Everett Wren
This song is an outlet to process my emotions in misunderstanding with a friend.
A hot summer main street, teeming with life They dance in the fountains, and seem to revive
Snow cones & hot dogs, sold by your friends But when you’re confused, your reality bends.
Some kind of truth, we seek to aim it, you wanted a name
Some kind of truth, we seek to frame it, when it conjures shame
The hard hostile concrete, with sweat on its stage We shore up our power & try to engage
Smiles & head nods, sodas & cheers Yet, brewing in secret, you’re harboring fears.
Some kind of truth, we seek to aim it, you wailed in the phone
Some kind of truth, we seek to frame it, you blamed that it’s wrong
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Traditional tune
I learned this tune listening to the band Banish Misfortune at an amusement park at which I performed summers with my family band growing up. I love the title and wish it for all of humankind.
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Traditional song
Our family band performed this when I was growing up, and we often cited it as the moanings of a spurned lover. I have since wondered if the protagonist has made up the stories about the object of affection, who might as well be a ghost, in order to feel some emotions, like self-pity and anger.
My heart is sad I am lonely For the only one I love
When shall I see her oh no never ‘Til we meet in heaven aboveOh, bury me beneath the willow Under the weeping willow tree
So she will know where I am sleeping And perhaps she’ll weep for me
She told me that she dearly loved me How could I believe it untrue
Until the angels softly whispered She will prove untrue to youTomorrow was to be our wedding God oh God where can she be
She’s out a courting with another And no longer cares for mePlant on my grave a snow white lily to prove my love for her was true
To show the world I died of grieving, for her love I could not win
Porchlight
The sequence of songs on the CD tell a story. I know CDs are not much in fashion these days, and if you do not have a CD player, then may I suggest you take a stroll through the following story?
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Lyrics by Everett Wren and Music by Everett Wren and Taylor Turner
Inspired by the Steve Martin movie “L.A. Story” and imagining another path for help in addressing miscommunication in relationships, I wrote this song in which a billboard is the chorale in the chorus who provides words of encouragement to the lead singer.
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Lyrics by Everett Wren and Music by Everett Wren and Taylor Turner
When my partner and I jog in pre-dawn Austin, I delight in all the different colors of porchlights in our neighborhood. I wrote this song about rekindled love, where the porchlight once shone on a budding relationship and later brings them back together.
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Lyrics and Music by Everett Wren
One of the segments at a live ATXplained performance was about Austin’s Treaty Oak. Thus inspired I wrote this song about its history. Since that time, a few folks have mentioned to me religious or hopeful themes that they hear in the song, e.g., we can make it through hardships together.
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Traditional
A Traditional tune attributed to the 17th Century Irish harper Turlough O’Carolan but the arrangement is mine.
I have always loved this tune and playing it.
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Lyrics and Music by Everett Wren
This song tells the story of a musician racing to get home from a rehearsal (or show) before his partner falls asleep. Looking up to the sky, he swears the sliver of the moon is chuckling at his flailing attempts.
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Lyrics by Everett Wren and Daniel White and Music by Everett Wren, Nathan Quiring, and Seylon Stills
This song represents nostalgia while a couple is going through their wardrobe. Different objects they run across trigger memories from their history together.
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Lyrics and Music by Everett Wren
This song tells a story of someone struggling to discover their own self-esteem while deferring to the drama of characters on television.
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Traditional
This is a traditional fiddle tune. The arrangement and feel follow that of former national lap dulcimer champion Scott Odena’s early 2000s interpretation of the tune.
When I heard my buddy Scott perform this I became engrossed with his funky interpretation of this fiddle tune. In true traditional fashion I later became good friends with folks in Austin, TX, from whom he had learned and re-imagined it.
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Lyrics and Music by Everett Wren
One day I walked by a colleague’s desk and saw just two words written in blue ink on a yellow post-it: “Get Flowers.” Talking with him, I began to hear how his marriage was heart-wrenchingly dissipating, and this song tells the story.
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Lyrics by Everett Wren and Music by Everett Wren, Nathan Quiring, and Sasha Klare-Ayvazian
It is easy to lose one’s cool when discussing emotional matters with loved ones. I reflected on how what I heard back to me just did not reflect what I thought I was trying to say and what I wanted to relate. It is a sad and verge of despairing song.
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Lyrics by Everett Wren and Music by Everett Wren, Nathan Quiring, Kimberly Zielnicki, and Patrick Conway
When you are working on a project together as a group, you must trust and encourage each other. In this song, one member seemed to be withholding, ignoring possibilities, driving with the brakes on, and slowly killing what we had.
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Lyrics and Music by Everett Wren
A friend posted on facebook one day “Empty Inside.” When I inquired but could not immediately reach them, I heard that their grandmother was dying of cancer. She was a woman who was larger than life, and this song is equal part tribute to her and reminder that folks going through such losses can reach out and find support.
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Lyrics and Music by Everett Wren
This song takes another look at the situation “Have We Lost,” but with broader overtones of human vanity – we are willing to destroy our world for short-term gains.
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Lyrics and Music by Everett Wren
My friends gave birth to a gorgeous little girl in early 2021. Inspired by how she explores the world with her big blue eyes, I wrote this song for her.
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Marijohn Wilkin and Danny Dill (used with permission / licensed) and Arranged by Everett Wren
I just love this song, the reveal, the ghost story, and the lyrics that pose propriety over one’s own fate.
The Story Behind the Recording
When my bandmate and bass-playing friend Taylor pulled me aside after a show one day to tell me he would be moving to Oregon, I realized more than ever before how fortunate I have been to meet and perform with some of the finest musicians on the planet. So, I asked if he would be willing to do me the great favor of recording on my songs before he left.
Over the course of a few weeks in the fall of 2019, he joined me in my studio, along with my second engineer Seth and Taylor’s new puppy Juniper, and generously contributed to 15 scratch versions of the songs (some of which are not on this album).
Awe inspired, I started setting a plan to complete the recordings, and as chance may have it, the pandemic ironically provided me the time I needed to get the project off and running. Because I did not feel comfortable with musicians in my studio during a pandemic, I needed to explore – as many other musicians did – how to record and possibly perform virtually. Differences in recording spaces and microphones would have to be accounted for in the mixes.
And, again, I found myself so grateful to meet Andrew at Ghost Hit Recording, who empathized but moreover seemingly was energized by such a challenge. He patiently interpreted my feedback on EQs, levels, etc., until we attained sonic cohesion.